writer, reader, recovering academic
This article regards Matthew Arnold (1822–88) and his work to realign the Bible and literature after Strauss’ mid-century higher biblical criticism. Through a reading of the ‘man of sorrows’ and weeping in Arnold’s ‘Stanzas from the Grande Chartreuse’, it seeks ways to recover the historical conditions of faith and expression.
Drawn from my PhD thesis, this article – for a special issue on sonnets in the nineteenth century – looked at how the circulation of Shakespeare’s unexpurgated sonnets impacted the cultural regard of the sonnet form itself. Although sonnets had some reputation for being ‘direct expressions’ of emotion and feeling, Shakespeare’s example was disruptive — once speaking ‘freely’, Shakespeare spoke of love for a a young man, and lust for a ‘dark lady’. I trace how Shakespeare’s collection saw the sonnet form become associated with obscurity, encoded emotion, occult feeling and highly-wrought conceits and riddles.
Rhian Williams, ‘ “Pyramids of Egypt”: Shakespeare’s sonnets and a Victorian turn to obscurity.’, Victorian Poetry, 48(4) (2014), pp. 489-508.
Rhian Williams 