Close-reading the ecology of Romantic poetry

Here I think carefully about how we might read Romantic-period poems from within our own moment of ecological precarity. Looking at John Clare’s ‘The Nightingale’s Nest’, John Keats’ ‘Ode to a Nightingale’, William Cowper’s The Task, and Samuel Taylor Coleridge’s ‘Frost at Midnight’ I track these poems’ moments of uncertainty about the ‘natural’ world, and their moments of confusion and obscurity. I am interested in how these poems move above and below their objects of attention, how they forge and falter in their means of building relationship, and how they register the agency of the non-human.

Rhian Williams, ‘Close-reading the ecology of Romantic poems’, in: Chaplin, S. and Faflak, J. (eds.) The Romanticism Handbook. Series: Literature and culture handbooks. Continuum (2010), pp. 52-71.

Melville’s lyrical faith

An essay on Melville’s enormously long poem, Clarel, using some of my thoughts on nineteenth-century faith and poetry. I focus on the lyrical episodes that punctuate this epic poem, where I suggest an emotional and visceral faithfulness persists through the poem’s larger sense of arid skepticism.

Rhian Williams, “‘Learning, unlearning, word by word”: feeling faith in Melville’s Clarel.’ In: Arsic, B. and Evans, K.L. (eds.), Melville’s Philosophies. Bloomsbury Academic: New York (2017), pp. 175-197