Melville’s lyrical faith

An essay on Melville’s enormously long poem, Clarel, using some of my thoughts on nineteenth-century faith and poetry. I focus on the lyrical episodes that punctuate this epic poem, where I suggest an emotional and visceral faithfulness persists through the poem’s larger sense of arid skepticism.

Rhian Williams, “‘Learning, unlearning, word by word”: feeling faith in Melville’s Clarel.’ In: Arsic, B. and Evans, K.L. (eds.), Melville’s Philosophies. Bloomsbury Academic: New York (2017), pp. 175-197

Matthew Arnold, poetry, faith, tears

(2013) ‘Divine liquidness of diction … divine fluidity of movement’: Reading Poetry after Matthew Arnold and the Higher Biblical Criticism. Literature and Theology, 27(3), pp. 313-329.

This article regards Matthew Arnold (1822–88) and his work to realign the Bible and literature after Strauss’ mid-century higher biblical criticism. Through a reading of the ‘man of sorrows’ and weeping in Arnold’s ‘Stanzas from the Grande Chartreuse’, it seeks ways to recover the historical conditions of faith and expression.